Russell Zintel lives in Rockland, Maine, and works as a line cook at a Mediterranean restaurant. His work has appeared in Banango Street, Tiny Seed, and Ash Tree Journal. He is at work on a full-length collection of poems.
Strider, 133 Years Later
I am a horse and there is a horse in my backyard
The sun shines over both of us, though I can only speak to the dust rising
At the edge of my simulation
Where does my pen end/Oh, it’s over there, by the oat trough
Beneath which oats ferment
At either fencepost, a tongue fork of this star, rising or setting
There are infinite pens behind mine, actually, and they go farther than the hills roll or I than have rolled
On crisp mornings my mouth opens and there the ocean is, saved
There the gunshot is, plastic free, cannabinoid free in the desert, there the duloxetine sheen is
On my brow. I’m controlled
Parts of the world I haven’t seen rush toward me
When it rains, it pours, 133 years fall away from the individual
By afternoon each day I’m tiger pacing the southern perimeter of my pen
The west wind blows my mane
I have never seen or heard of a tiger, but god damn I know nervousness
Speaking of, why the hell do they build these stupid racing tracks over Muddy Creek?
Don’t they know that they are building over wetlands
Don’t they know you can’t put a human bandaid over an Earthly river
To add insult to injury, they make us run around in circles
Instead of riding us through the woods
Don’t you know these are the reasons I must remain political
Though I subvert the circle with almost imperceptible sidesteps
Nobody notices as I halt the circle’s perfection at every turn
Grunt and cut a corner
How many dandelions can I leave untrodden?
Though I don’t mess around when my owner rides me, ‘owner’
It’s mostly other people on my back
There is this mixed sense of joy and shame wrapped up
In taking them over hurdles, or around the track
In responding to their alien boot heels, banal clicks and calls
I am a horse but I am also a pantheistic mongrel of oceanic neck problems, of split-brain decisions
Of all myths the chimera is real
So is the horse behind me
Nobody knows this about us
That we can see ourselves in the reflections of tigers
in the balloons stuck in our mouths
And still don’t know what they are
That we can pace and feel something invisible, like roots
I ask her, each morning
WHO THE FUCK IS JEAN-PAUL SARTRE
At least three times a week I ask this
Hungover from eating boozy oats until after midnight
REMEMBER THE BEETLE ON THE BOUGAINVILLEA, WHO MOCKED YOU?
I yell
WHO NEARLY RAILROADED YOUR COLT?
Though by now she’s saddled and gone
These days I’m trying to focus on minimizing my yelling, regardless of who is around me
I’m trying to minimize my yelling at the tiger in the birthday balloon of my past
Where the wolf jaw gets me
Jean-Paul Sartre’s there, too, with the tiger, and the floating wolf jaws, and the floating wolf cub jaws, and sometimes they all have tea or practice exiting
There are no horses or fields in the crinkling metallic
History has confused Tolstoy and JPS, and he and the tiger even choke one another, in a dominating sort of way
The jaws flatten into a horizon and the sun lowers itself into it, from all sides
I only feel the cool breeze, the light going, unknowing of what these names mean
Or how they
Found their way
Into my long,
Long head