Jackie Tileston is interested in creating paintings that bring together a wide multiplicity of sources into a coherent—and sometimes discordant—whole, an attempt at a “unified field theory” of painting. Her paintings feed off of the history of abstraction, physics, traditional eastern imagery, Chinese landscape motifs, digital imaging, and other sources. There is a constant flux between atmospheric and graphic, abstract and figurative, quiet and chaotic forces. A medley of sources is orchestrated to create or reconstruct a world within the painting in which a new kind of sense is made—one in which the beautiful, absurd, sacred, and mundane can coexist. She does not find a conflict between meaning and visual opulence, between commercial culture and content, and she often purposefully cultivates an operatic sense of surface and reference. She is interested in the challenges of trying to forge a pictorial landscape in which anything could be included, but that seems to possess its own logic. A re-reading of Foucault’s 1967 “Of Other Spaces—Heterotopias” essay was a recent inspiration since it perfectly defined the intent of much of her current work—to create paintings in which several different locations or spaces are made to coexist within one space. Ideas about how we construct our realities and selves through language, social structure, geography, and belief feed into this desire to juxtapose sites and images that might themselves be somewhat incompatible. Her work as a painter is to knit the world together in a kind of visual globalism. There is both a sense of idealism and anxiety that accompanies this endeavor—the desire to make a democratic garden of Eden, and concern about how to make sense of it and reconcile disparities. She is interested in visual democracies, nomadic thinking, rearranging hierarchies, and trying to fuse personal expression with shared social and cultural spaces, in full pictorial glory. She wants the work to transform its multiple sources into a stronger, weirder, and more complex pictorial version of the world.